{"id":1470,"date":"2023-10-18T11:50:41","date_gmt":"2023-10-18T08:50:41","guid":{"rendered":"https:\/\/translatingmemories.tlu.ee\/?post_type=events&#038;p=1470"},"modified":"2023-11-01T15:52:09","modified_gmt":"2023-11-01T12:52:09","slug":"toopada-decolonising-the-eastern-european-past-and-memory-through-the-lens-of-audio-visual-archives","status":"publish","type":"events","link":"https:\/\/translatingmemories.tlu.ee\/et\/events\/toopada-decolonising-the-eastern-european-past-and-memory-through-the-lens-of-audio-visual-archives\/","title":{"rendered":"T\u00f6\u00f6pada &#8220;Decolonising the Eastern European Past and Memory Through the Lens of Audio-Visual Archives&#8221;"},"content":{"rendered":"\n<p><em>Reede, 17. november<\/em><\/p>\n\n\n\n<p>14:00 \u2013 K\u00fclastus Eesti Rahvusarhiivi filmiarhiivi<\/p>\n\n\n\n<p>16:00 \u2013&nbsp;Kohvipaus<\/p>\n\n\n\n<p>16:30-17:45 \u2013&nbsp;<strong>Avalik loeng<\/strong><\/p>\n\n\n\n<p><strong>\u201cConstellating the Past and Present: Towards a Theory of Audiovisual Counterhegemonic History Writing<strong>\u201d<\/strong>&nbsp;Professor Alison Landsberg<\/strong>&nbsp;(Department of History and Art History, George Mason University)<\/p>\n\n\n\n<p>19:30 \u2013 \u00d5htus\u00f6\u00f6k<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><em>Laup\u00e4ev, 18. november<\/em><\/p>\n\n\n\n<p>09.30-11.15 \u2013&nbsp;<strong>Paneel 1: Legibility of the Archives: (Trans)national Tensions and Local Histories<\/strong><\/p>\n\n\n\n<p>\u201cSoviet Film History without Russia: Reconsidering the Archives of Soviet Cinema\u201d (Raisa Sidenova, Media, Culture and Heritage, Newcastle University)<\/p>\n\n\n\n<p>\u201cUnpacking my Archival Findings: Thoughts on the Chaos of Memory and Archival Resistance to Historical Legibility\u201d (Ana Grgi\u0107, Department of Cinema and Media,&nbsp;Babe\u0219-Bolyai University)<\/p>\n\n\n\n<p>\u201cDistant Journey through the Desktop: The Ethics of Approaching Holocaust Footage in the Online Space\u201d (Ji\u0159\u00ed Anger, Queen Mary University of London \/ National Film Archive in Prague)<\/p>\n\n\n\n<p>11:15-11:45 \u2013 kohvipaus<\/p>\n\n\n\n<p>11:45-13:00 \u2013&nbsp;<strong>Avalik loeng<\/strong><\/p>\n\n\n\n<p><strong>\u201cThe Role of Film Archives in Creating the Canons of Eastern European Cinema\u201d<\/strong>&nbsp;<strong>Professor Ewa Mazierska&nbsp;<\/strong>(School of Arts and Media, University of Central Lancashire)<\/p>\n\n\n\n<p>13:00-14:00 \u2013 L\u00f5una<\/p>\n\n\n\n<p>14.00-15:15 \u2013&nbsp;<strong>Paneel 2 (Re)constructing History and Memory through the Archives<\/strong><\/p>\n\n\n\n<p>\u201cTranslating Memories Through Appropriated Archival Footage from Fiction Films\u201d (Martin Pal\u00fach, Institute of Theatre and Film Research of The Art Research Centre, Slovak Academy of Sciences)<\/p>\n\n\n\n<p>\u201cThe Shadow of Oru Palace. The clash of narratives at the site of a national monument\u201d (Aap Tepper, Film Archives, The National Archives of Estonia)<\/p>\n\n\n\n<p>15:15-15:45 \u2013 Kohvipaus<\/p>\n\n\n\n<p>15:45-17:00 \u2013&nbsp;<strong>Paneel 3 Institutional and Legal Context of Private and Public Archives&nbsp;<\/strong><\/p>\n\n\n\n<p>\u201cRevisiting Private Memories in Hungary \u2013 The Case of the Private Photo and Film Foundation\u201d (Lucy Szemetov\u00e1, University of St Andrews)<\/p>\n\n\n\n<p>\u201cThe Drama of Legislation: Regulating Access to the National Film Archive in Romania\u201d (Diana Popa, Tallinn University)<\/p>\n\n\n\n<p>17:00-17:30 \u2013 Arutelu<\/p>\n\n\n\n<p>18:30 \u2013 Filmilinastus (P\u00d6FF \u2013 Black Nights Film Festival)<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>NB! T\u00f6\u00f6pada ja loeng on inglise keeles<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>More than thirty years after the fall of communism in Eastern Europe, the war in Ukraine brought Eastern Europe to global attention. As Roma Sendyka (2022) recently noted, Eastern Europe today confronts the global arena with a new multivocal discourse shaped by the voices of students, doctoral candidates, young scholars and artists that demands a decolonial view of the region. This workshop proposes to take up this call to decolonise the Eastern European past from the joint perspective of visual media (broadly understood) and memory studies. It aims to map a theoretical and practice-based view of the region\u2019s past and memory by focusing on Eastern European audio-visual archives and valorising the recent proliferation of artistic practices of archival appropriation in film and film adjacent media in the region.<\/p>\n\n\n\n<p><strong>Korraldajad<\/strong>:<\/p>\n\n\n\n<p>Tallinn \u00dclikool, ERC projekt &#8220;T\u00f5lgitud m\u00e4lu: Ida-Euroopa minevik globaalsel areenil&#8221;<br>Eesti Rahvusarhiivi filmiarhiiv<\/p>\n","protected":false},"excerpt":{"rendered":"Radoni\u0107i avalik online loeng &#8220;Kurjategijad ja k\u00e4silased n\u00f5ukogudej\u00e4rgsetes m\u00e4lumuuseumides ohvrite ajastul&#8221; toimub 3. juunil t\u00f6\u00f6paja &#8220;Ohvrid, kurjategijad ja seotud subjektid Kesk- ja Ida-Euroopas&#8221; raames.","protected":false},"author":5,"template":"","meta":{"_acf_changed":false,"_uag_custom_page_level_css":"","advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"class_list":["post-1470","events","type-events","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.7 - 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