{"id":1664,"date":"2024-11-14T12:54:23","date_gmt":"2024-11-14T09:54:23","guid":{"rendered":"https:\/\/translatingmemories.tlu.ee\/?post_type=events&p=1664"},"modified":"2024-11-14T12:54:24","modified_gmt":"2024-11-14T09:54:24","slug":"tolgitud-malu-loengusari-yuliya-yurchuk-vanetyna-kharkhun","status":"publish","type":"events","link":"https:\/\/translatingmemories.tlu.ee\/et\/events\/tolgitud-malu-loengusari-yuliya-yurchuk-vanetyna-kharkhun\/","title":{"rendered":"“T\u00f5lgitud m\u00e4lu” loengusari: Yuliya Yurchuk & Vanetyna Kharkhun"},"content":{"rendered":"\n

T\u00f5lgitud m\u00e4lu loengusari: M\u00e4lu ja dekoloniseerimine Ukrainas<\/strong><\/p>\n\n\n\n

5. dets 2024 kell 14-17
Tallinn \u00dclikool, Uus-Sadama 5, M-213<\/p>\n\n\n\n

Yuliya Yurchuk<\/strong>, S\u00f6dert\u00f6rni \u00dclikool, Rootsi
Decolonial Approach to Memory Studies in Ukraine<\/strong>
Valentyna Kharkhun<\/strong>, Tallinna \u00dclikool\/ Ni\u017e\u00f5ni M\u00f5kola Gogoli Riiklik \u00dclikool, Ukraina
Decolonization in Action: Dealing with (Un)wanted Heritage During the Russo-Ukrainian War<\/strong>
Diskussant: Linda Kaljundi<\/strong>, Tallinna \u00dclikool<\/p>\n\n\n\n

NB! Loengud on inglise keeles.<\/p>\n\n\n\n

Yuliya Yurchuk
Decolonial Approach to Memory Studies in Ukraine<\/strong>
Decolonization in relation to Ukraine started to be discussed intensively with the beginning of Russia\u2019s full-scale invasion in 2022. The scholarly discussions began much earlier, but public discussions became viral after the invasion. Despite the wide usage of the word \u201cdecolonization,\u201d there is a limited shared understanding of what decolonization means in practice. In this presentation, I will try to understand what decolonization in the field of memory means. Memory as a narrative about one\u2019s past is central to decolonial thinking. The possibility of reclaiming one\u2019s own (hi)story is central to the resistance to epistemic violence created by the coloniality of power. As Linda Tuhiwai Smith writes, \u201cimperialism and colonialism brought complete disorder to colonized peoples, disconnecting them from their histories, their landscapes, their languages, their social relations and their own ways of thinking, feeling and interacting with the world\u201d. The question of decolonization of memory is thus inextricably linked to the desire to connect to one\u2019s own history. The fundamental role of history in the process of decolonization is indeed mentioned by many decolonial writers. Ng\u0169g\u0129 wa Thiong\u2019o mentioned that decolonization means \u201cseeing oneself clearly\u201d (1986) which involves having a clearer narrative of one\u2019s own past, removing the distorting lenses of colonial alienation. Jill Jarvis, in her \u201cDecolonizing Memory: Algeria and the Politics of Testimony Memory,\u201d also writes about decolonization as a possibility to \u201csee or hear what history has rendered ghostly\u201d (2021). Connecting to one\u2019s own history becomes then part of a decolonial project of liberation. But how is it possible to \u201csee and hear\u201d clearly what has been forgotten, erased, or, indeed, never fully re-constructed in memory?I argue that decolonization of memory in Ukraine is driven by three main logics: reclamation, decanonization, and memory activism. These logics do not exclude each other and very often work together in producing memory work that can be seen through the perspective of decolonization.<\/p>\n\n\n\n

Valetyna Kharkhun
Decolonization in Action: Dealing with (Un)wanted Heritage During the Russo-Ukrainian War<\/strong>
In applying the concepts of \u201cpolitical iconoclasm\u201d and \u201curban fallism\u201d, this presentation provides an analysis of \u201cLeninfall\u201d and \u201cPushkinfall\u201d as two major phenomena of dealing with monumental heritage in Ukraine since 1990. The paper focuses particularly on the last decade between 2014 and 2024, the Revolution of Dignity and Russia\u2019s ongoing war in Ukraine. The Ukrainian cases of monumental political iconoclasm will be viewed within the context of decommunization and derussification, two identifiable trends in Ukraine\u2019s current politics of memory, which exemplify decolonization as being the primary method in opposing Russian aggression, for remodeling the Ukrainian cultural space, and ultimately in strengthening Ukrainian national identity by eliminating Soviet and Russian imperial domination. This presentation delves into the following questions: What are the political, economic and cultural circumstances which forced a reconsideration of the (un)wanted heritage and eventually led to the toppling and destruction of monuments? What indicative actions have the various state bodies and grass-rooted initiatives had in deciding the fate of contested monuments? How does decolonization of a public space mirror contemporary identity politics? And what makes Ukraine\u2019s undertakings with monumental heritage unique in comparison with other concurrent cases of political iconoclasm? Ultimately, this presentation should contribute to the understanding of Russia\u2019s war in Ukraine within the framework of (de)colonization, as a struggle between Russia\u2019s political and cultural imperialism embodied within the Lenin and Pushkin monuments and Ukraine\u2019s intentions to build an independent and democratic future.<\/p>\n\n\n\n

Yuliya Yurchuk<\/strong>, PhD, on S\u00f6dert\u00f6rni \u00dclikooli ideedeajaloo vanemlektor. Tema uurimist\u00f6\u00f6 h\u00f5lmab m\u00e4lu-uuringuid, religiooniuuringuid ja ideedeajalugu. Ta on tegelenud Ukraina m\u00e4lupoliitika, propaganda ja ajaloo \u00e4rakasutamisega Vene-Ukraina s\u00f5jas ning regiliooni ja poliitikaga Ukrainas. Praegu tegeleb ta riikidevahelise ideedeajalooga, mis k\u00e4sitleb ideede ringlust 19. ja 20. sajandil ning Ukraina vastupanuv\u00f5ime, vastupanu ja m\u00e4lu dekoloniseerimise k\u00fcsimusi Venemaa Ukraina-vastase s\u00f5ja kontekstis. <\/p>\n\n\n\n

Valentyna Kharkhun<\/strong> Valentyna Kharkhun on Ni\u017e\u00f5ni M\u00f5kola Gogoli Riikliku \u00dclikooli professor. Ta on kahe raamatu, kuue \u00f5piku ja enam kui saja Ukraina ja rahvusvahelistes ajakirjades nagu Nationalities Papers, Canadian Slavonic Papers, Journal of Soviet and Post-Soviet Politics and Society ja Krytyka avaldatud artikli autor. Ta on t\u00f6\u00f6tanud stipendiaadina paljudes erinevates \u00fclikoolides: Pennsylvania osariigi \u00fclikool, Columbia \u00fclikool, Jagelloonia \u00fclikool Poolas, Varssavi \u00fclikooli, Rzeszowi \u00fclikool ja Maria Curie-Sklodowska \u00fclikool, Woodrow Wilsoni keksuses Washingtonis, Alberta \u00fclikoolis. Oma karj\u00e4\u00e4ri jooksul on ta tegelenud ideoloogia ja kultuuri suhetega, keskendudes j\u00e4rgmistele teemadele: Ukraina modernistlikud tekstid; kunst N\u00f5ukogude v\u00f5imu ajal; sotsrealismi kaanon ukraina ja vene kirjanduses; kommunismi m\u00e4letamine Kesk- ja Ida-Euroopa riikide muuseumides. Praegu kirjutab ta ingliskeelset raamatut \u201eMulti-faceted Memory: Exhibiting the Soviet Era in Ukrainian Museums\u201d.<\/p>\n\n\n\n

Linda Kaljundi<\/strong> on ajaloolane ja kuraator, Eesti Kunstiakadeemia kultuuriloo professor ja Tallinna \u00dclikooli vanemteadur. Tal on doktorikraad Helsingi \u00dclikoolist. Kaljundi on avaldanud teadust\u00f6id Balti ja P\u00f5hjamaade ajaloost ja ajalookirjutusest, kollektiivsest m\u00e4lust ja rahvuslusest, aga ka keskkonna, kolonialismi ja teaduse p\u00f5imunud ajaloost. Ta on kaaskureerinud mitmeid interdistsiplinaarseid n\u00e4itusi, sealhulgas “Vallutaja pilk” (2019), “Kunst v\u00f5i teadus” (2022) ja “Kunst antropotseeni ajastul” (2023), k\u00f5ik Kumu kunstimuuseumis, Tallinnas. Ta on kaastoimetanud mitmeid artiklikogumikke ja n\u00e4ituste katalooge, samuti avaldanud monograafia visuaalkultuurist kui kultuurim\u00e4lu meediumist (\u201eHistory in Images \u2013 Image in History: National and Transnational Past in Estonian Art\u201d, koos Tiina-Mall Kreemiga 2018).<\/p>\n","protected":false},"excerpt":{"rendered":"Kaks ettekannet ja diskussiooni m\u00e4lust ja dekoloniseerimisest Ukrainas\n\n","protected":false},"author":4,"template":"","meta":{"_acf_changed":false,"_uag_custom_page_level_css":"","advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"class_list":["post-1664","events","type-events","status-publish","hentry"],"acf":[],"yoast_head":"\n"T\u00f5lgitud m\u00e4lu" loengusari: Yuliya Yurchuk & Vanetyna Kharkhun - Translating Memories<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/translatingmemories.tlu.ee\/et\/events\/tolgitud-malu-loengusari-yuliya-yurchuk-vanetyna-kharkhun\/\" \/>\n<meta property=\"og:locale\" content=\"et_EE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\""T\u00f5lgitud m\u00e4lu" loengusari: Yuliya Yurchuk & Vanetyna Kharkhun - 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