{"id":602,"date":"2020-12-04T16:52:43","date_gmt":"2020-12-04T13:52:43","guid":{"rendered":"https:\/\/translatingmemories.tlu.ee\/?p=602"},"modified":"2020-12-04T16:55:13","modified_gmt":"2020-12-04T13:55:13","slug":"ungari-kino-valjaspool-ungarit-ungari-filmid-eestis","status":"publish","type":"post","link":"https:\/\/translatingmemories.tlu.ee\/et\/ungari-kino-valjaspool-ungarit-ungari-filmid-eestis\/","title":{"rendered":"Ungari kino v\u00e4ljaspool Ungarit: Ungari filmid Eestis"},"content":{"rendered":"\n
Kui saabusin Tallinnasse, et asuda t\u00f6\u00f6le j\u00e4reldoktorina Euroopa Teadusn\u00f5ukogu grandiprojekti juures, pidin mitte ainult tutvuma uue koha (linna ja oma praeguse t\u00f6\u00f6kohaga Tallinna \u00fclikoolis), vaid ka sukelduma kohalikku kinokultuuri. Tundes Tallinnat kui \u00fcht Ida-Euroopa A-kategooria filmifestivali P\u00d6FF ehk Pimedate \u00d6\u00f6de Filmifestival (mis leiab aset selle postituse kirjutamise ajal) toimumiskohana, tahtsid saada rohkem teada linna kinodest ja nende k\u00fclastajatest. Hoolimata pandeemiast on Eesti kinod endiselt lahti. Alustasin mitmekorruselisest Coca-Cola Plazast, kus vaatasin filmi \u201cTenet\u201d (Christopher Nolan, 2020). \u201cTenetit\u201d oodati Eestisse pikisilmi, kuna seda filmiti Tallinna erinevates paikades, ja see seletas ka filmi pikka linastusperioodi ning edu kohaliku vaatajaskonna hulgas. Plaza on ka \u00fcks P\u00d6FF-i toimumispaikadest. Spektri teises otsas on Tallinna s\u00f5ltumatu kino S\u00f5prus. Kino hoone ehitati 1955. aastal ja toimis kinona juba N\u00f5ukogude ajal. Stalini ajale viitavad ka hoone pomp\u00f6\u00f6sne fassaad ja rikkalik interj\u00f6\u00f6r. Alates 2010. aastast on S\u00f5prus tuntud kui Eesti n\u00fc\u00fcdisaegse Euroopa kunstkino lipulaev, mille kava, tsiteerides kodulehek\u00fclge, \u201cmoodustavad suurel hulgal just siinsed eriprogrammid, mis on ka selle kino oman\u00e4oline kaubam\u00e4rk\u201d. S\u00f5pruse kinokavast torkasid mulle silma kaks filmiprogrammi. Esiteks Veiko \u00d5unpuu retrospektiiv, kelle uus film \u201cViimased\u201d esilinastus sel aastal. Teiseks Ungari filmi\u00f5htud, mis leidsid aset septmbris ja oktoobris. Programmi raames n\u00e4idati kohalikele igal n\u00e4dalal \u00fcht Ungari filmi, nii klassikalisi kui ka uusi filme. Mu teadust\u00f6\u00f6 seisukohast pakkusid mulle k\u00f5ige rohkem huvi kaks filmi, mis k\u00e4sitlesid Ungari ajalugu. \u201cNeed, kes j\u00e4id\u201d (\u201cAkik maradta\u201d, Barnab\u00e1s T\u00f3th, 2019) tegevus toimub vahetult p\u00e4rast II maailmas\u00f5da kuni Stalini surmani. \u201cVangid\u201d (\u201cFoglyok\u201d, Krist\u00f3f De\u00e1k, 2019) leiab aga aset 1951. aastal. Filmi \u201cNeed, kes j\u00e4id\u201d n\u00e4idati nii eesti kui ingliskeelsete subtiitritega ja seega vaatasime seda kogu projektinaiskonnaga. Seanss oli tasuta, tervituseks pakuti ungari veini. Nagu selgus, korraldas ja rahastas filmi\u00f5htuid Ungari Kultuuri Instituut Tallinnas. Ungari kinol on rahvusvahelisel areenil hea maine, millest annab tunnistust Ungari filmide sage osalemine ja edu rahvusvahelistel festivalidel, sealhulgas P\u00d6FF-il. Sel aastal osales P\u00d6FFi mainekas v\u00f5istlusprogrammis Istv\u00e1n Szab\u00f3 film \u201cL\u00f5pps\u00f5na\u201d (\u201cZ\u00e1r\u00f3jelent\u00e9s\u201d, 2020). See postitus on aga kirjutatud huvist selle vastu, mis on need muud viisid, kuidas kohalikud saavad n\u00e4ha ungari filme, eriti ajaloofilme, v\u00e4ljaspool filmifestivale ja tavakino seansse. Ungari Kultuuri Instituudi juht Tam\u00e1s Orosz oli lahkelt valmis minuga kohtuma ja r\u00e4\u00e4kima instituudi tegevustest seoses filmikunstiga. J\u00e4rgnevalt v\u00f5tan kokku meie vestluse r\u00f5huga sellel, kuidas j\u00f5uavad ungari ajaloofilmid Eesti vaatajani. Ungari Kultuuri Instituut allub Ungari v\u00e4lis- ja kaubandusministeeriumile ja selle \u00fclesandeks on ungari keele ja kultuuri levitamine v\u00e4lismaal. Iga aasta s\u00fcgisel koostab instituut j\u00e4rgmise kalendriaasta kultuuriprogrammi, mille kiidab heaks ministeerium. Filmi\u00f5htud on vaid \u00fcks osa instituudi mitmekesisest kultuuriprogrammist. Sel aastal korraldati lisaks \u00fcksikutele filmiseanssidele terve filmi\u00f5htute seeria. Kuna filmidel on ungari ja eesti kultuurivahetuses t\u00e4htis roll, r\u00f5hutab hr Orosz eestikeelsete subtiitrite t\u00e4htsust. Tasuta seansid peaksid samuti meelitama kohale rohkem publikut ja klass veini lisama \u00fcritusele soojust ja pidulikkust. Filmi\u00f5htuid plaanides oli r\u00f5hk kom\u00f6\u00f6diatel, mitte ajaloolistel filmidel. \u201cVangid\u201d sobis sellesse konteksti oma absurdihuumoriga. Kuid \u201cNeed, kes j\u00e4id\u201d kujutab endast k\u00f5rvalekallet temaatilisest keskmest. Mr Orosz valis filmi v\u00e4lja mitte ainult soovist n\u00e4idata ungari kino k\u00f5ige viimast loomingut, vaid pidades silmas ka filmi\u00f5htute plaanitud toimumisaega 2020. aasta aprillis. \u201cNeed, kes j\u00e4id\u201d pidi linastuma ungari filmi p\u00e4eval 30. aprillil. Ungari esitas filmi v\u00f5\u00f5rkeelse filmi Oscarile ja juhul, kui see oleks selles kategoorias nomineeritud, oleks see lisanud linastusele reklaami, mis oleks meelitanud kohale veelgi rohkem vaatajaid. Filmi \u201cNeed, kes j\u00e4id\u201d keskmes on kaks holokaustis elluj\u00e4\u00e4nut: teismeline Kl\u00e1ra Wiener (Abig\u00e9l Sz\u0151ke) and keskealine arst Dr K\u00f6rner Alad\u00e1r (K\u00e1roly Hajduk), kes p\u00fc\u00fcavad leida omavahelist sidet ja selle kaudu parandada ajaloo haavu. Film tegeleb tuntub probleemiga \u2013 v\u00f5imetusega p\u00e4rast traumaatilist kogemust teiste inimestega kontakti saada \u2013, kuid annab sellele spetsiifilise Ida-Euroopa ilme. Lisaks suurele vanusevahele on \u201cNeed, kes j\u00e4id\u201d tegelaste suureks v\u00e4ljakutseks Ungari ja laiemalt Ida-Euroopa ajalooline kontekst 1950. aastatel, stalinismile sarnaste autoritaarsete reiimide kehtestamine. M\u00f5lemad asjaolud kujutavad endast ohtu pealtn\u00e4ha s\u00fc\u00fctule isa ja t\u00fctre armastusele, mis v\u00f5iks pakkuda neile p\u00f5hjuse edasi elamiseks. K\u00f5igepealt satub Kl\u00e1ra \u00f5petaja n\u00e4gema neid \u00fchel p\u00e4ikeselisel p\u00e4rastl\u00f5unal Budapesti pargis ja talle j\u00e4\u00e4b mulje, et paar on romantiliselt seotud: Kl\u00e1ra pea on Ald\u00f3 s\u00fcles ja too paitab ta juukseid. N\u00e4htust \u0161okeerituna p\u00fc\u00fcab ta nende elukorraldust muuta. Kl\u00e1ra elab vaheldumisi oma t\u00e4di ja Ald\u00f3 juures, kes m\u00f5lemad hoolitsevad tema eest. Kuni sinnani n\u00e4ib asjade korraldus tegevat m\u00f5lemale head: Kl\u00e1ral on Ald\u00f3ga lihtne r\u00e4\u00e4kida ja ta talle saab ta r\u00e4\u00e4kida, et tunneb end s\u00fc\u00fcdi \u00f5de surmas. Ald\u00f3 n\u00e4itab talle aga oma s\u00f5jaeelset perekonnaalbumit. Lisaks pingestab olukorda Ida-Euroopa spetsiifiline ajaloolis-poliitiline kontekst. \u00dchel saatuslikul \u00f5htul, kui Ald\u00f3t \u00e4hvardavad R\u00e1kosi re\u017eiimi repressioonid, v\u00e4ljub nende suhe \u00e4\u00e4repealt isa ja t\u00fctre vahekorrast. Barnabas Tothi kindlak\u00e4elisel juhtimisel ja kahe peaosalise vapustava n\u00e4itlejat\u00f6\u00f6 toel t\u00fc\u00fcrib film nende l\u00f5ksude vahel tagasihoidlkul ja visuaalselt meisterlikul viisil. Alates 2019. aastast on sarnane filmi\u00f5htute seeria leidnud aset Tartus. Seal organiseerib Ungari filmikulbi Tartu \u00dclikooli ungari keele k\u00fclalislektor Kriszta T\u00f3th. Tegevust rahastab rahaliselt Ungari v\u00e4lis- ja kaubandusministeerium 2019. aastal loodud programmi kaudu, mis toetab ungari keele ja kultuuri lektorite t\u00f6\u00f6d kogu maailmas. Kriszta T\u00f3thi tunnustuseks tuleb \u00f6elda, et ta otsustas keskenduda just filmi\u00f5htutele. Filmid, mille ta on valinud n\u00e4itamiseks Tartu s\u00f5ltumatus kinos Elektrikteater, n\u00e4itavad ungari filmi mitmekesisust: hiljutised rahvusvahelist edu saavutanud filmid nagu Cannes\u2019is peaauhinna ja v\u00f5\u00f5rkeelse filmi Oscari v\u00f5itnud \u201cSauli poeg\u201d (\u201cSaul fia\u201d, Lajos Nemes, 2015) ja Berlinale Kuldkaru v\u00f5itka \u201cIhust ja hingest\u201d (\u201cTestr\u0151l \u00e9s l\u00e9lekr\u0151l\u201d, Ildik\u00f3 Enyedi, 2016); mitmed populaarsed filmid nagu animatsioon \u201cKasside linn\u201d (\u201cMacskafog\u00f3\u201d, B\u00e9la Ternovszky, 1989) ja klassikalised (ajaloo)filmid nagu \u201cArmastus\u201d (\u201cSzerelem\u201d, Karoly Makk, 1971). Kuigi Ungari Kultuuri Instituut ei ole selle filmiklubiga otseselt seotud, aidatakse vajadusel filmikoopiate transpordi ja ava\u00fcrituste suupistete ja veiniga. Instituudi muud \u00fcritused on juhuslikumat laadi. Vahel palutakse instituudilt abi mujal, n\u00e4iteks Tallinna \u00dclikooli Balti filmi ja meediakoolis n\u00e4idatavate filmide osas. 2018. aasta 28. novembril ungari Gulagi ohvrite m\u00e4lestusp\u00e4eval n\u00e4idati BFM-i kinos Supernova filmi \u201cIgavene talv\u201d (\u201c\u00d6r\u00f6k t\u00e9l\u201d, Attila Sz\u00e1sz, 2018). Sel aastal algatas kino S\u00f5prus B\u00e9la Tarri seitsmetunnise kultusfimi \u201cSaatana tango\u201d (\u201cS\u00e1t\u00e1ntango\u201d, 1994) n\u00e4itamise. Sellistel juhtudel hangib instituut filmi koopia ja maksab n\u00e4itamis\u00f5iguste eest. aastal n\u00e4idati kahep\u00e4evase \u00fcrituse raames, millega t\u00e4histati Ungari eesistumist Visegr\u00e1d grupis (nelja riigi T\u0161ehhi, Ungari, Poola ja Slovakkia kultuuriline ja poliitiline liit), kaht filmi, mis keskendusid naiste ajaloolisele kogemusele. Need olid \u201cEma ja teised minu pere narrid\u201d (\u201cAny\u00e1m \u00e9s m\u00e1s fut\u00f3bolondok a csal\u00e1db\u00f3l\u201d, Ibolya Fekete, 2015) ja \u201cAurora Borealis\u201d (M\u00e1rta M\u00e9szaros, 2017). Nende filmide olulisust ajaloom\u00e4lu seisukohalt ei saa \u00fcle hinnata. L\u00f5petuseks v\u00f5iks \u00f6elda, et kultuuridiplomaatia seisukohast on Ungari minevikku k\u00e4sitlevad filmid Eestis t\u00e4nu \u00fchisele ajaloole h\u00e4sti m\u00f5istetavad. Tam\u00e1s Orosz meenutab, et kui ta Tallinnasse saabus, siis \u00fcks esimesi inimesi, keda ta siin kohtas, oli Eesti Kirjanike Liidu juht Tiit Aleksejev. Tema soovitas toetada ajaloos\u00fcndmustele keskenduva kirjanduse t\u00f5lkimist, sest see on valdkond, kus Ungaril on palju sarnasusi Eestiga. J\u00e4\u00e4b vaid \u00fcle loota, et lisaks raamatutele pakuvad Eesti vaatajale huvi ka filmid. Otsustades k\u00fclastatud linastuste vaatajahuvi j\u00e4rgi, n\u00e4en siin suurt potentsiaali.<\/p>\n\n\n\n
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