Reede, 17. november
14:00 – Külastus Eesti Rahvusarhiivi filmiarhiivi
16:00 – Kohvipaus
16:30-17:45 – Avalik loeng
“Constellating the Past and Present: Towards a Theory of Audiovisual Counterhegemonic History Writing” Professor Alison Landsberg (Department of History and Art History, George Mason University)
19:30 – Õhtusöök
Laupäev, 18. november
09.30-11.15 – Paneel 1: Legibility of the Archives: (Trans)national Tensions and Local Histories
“Soviet Film History without Russia: Reconsidering the Archives of Soviet Cinema” (Raisa Sidenova, Media, Culture and Heritage, Newcastle University)
“Unpacking my Archival Findings: Thoughts on the Chaos of Memory and Archival Resistance to Historical Legibility” (Ana Grgić, Department of Cinema and Media, Babeș-Bolyai University)
“Distant Journey through the Desktop: The Ethics of Approaching Holocaust Footage in the Online Space” (Jiří Anger, Queen Mary University of London / National Film Archive in Prague)
11:15-11:45 – kohvipaus
11:45-13:00 – Avalik loeng
“The Role of Film Archives in Creating the Canons of Eastern European Cinema” Professor Ewa Mazierska (School of Arts and Media, University of Central Lancashire)
13:00-14:00 – Lõuna
14.00-15:15 – Paneel 2 (Re)constructing History and Memory through the Archives
“Translating Memories Through Appropriated Archival Footage from Fiction Films” (Martin Palúch, Institute of Theatre and Film Research of The Art Research Centre, Slovak Academy of Sciences)
“The Shadow of Oru Palace. The clash of narratives at the site of a national monument” (Aap Tepper, Film Archives, The National Archives of Estonia)
15:15-15:45 – Kohvipaus
15:45-17:00 – Paneel 3 Institutional and Legal Context of Private and Public Archives
“Revisiting Private Memories in Hungary – The Case of the Private Photo and Film Foundation” (Lucy Szemetová, University of St Andrews)
“The Drama of Legislation: Regulating Access to the National Film Archive in Romania” (Diana Popa, Tallinn University)
17:00-17:30 – Arutelu
18:30 – Filmilinastus (PÖFF – Black Nights Film Festival)
NB! Tööpada ja loeng on inglise keeles
More than thirty years after the fall of communism in Eastern Europe, the war in Ukraine brought Eastern Europe to global attention. As Roma Sendyka (2022) recently noted, Eastern Europe today confronts the global arena with a new multivocal discourse shaped by the voices of students, doctoral candidates, young scholars and artists that demands a decolonial view of the region. This workshop proposes to take up this call to decolonise the Eastern European past from the joint perspective of visual media (broadly understood) and memory studies. It aims to map a theoretical and practice-based view of the region’s past and memory by focusing on Eastern European audio-visual archives and valorising the recent proliferation of artistic practices of archival appropriation in film and film adjacent media in the region.
Korraldajad:
Tallinn Ülikool, ERC projekt “Tõlgitud mälu: Ida-Euroopa minevik globaalsel areenil”
Eesti Rahvusarhiivi filmiarhiiv